In the guest lecture earlier in this academic year, one of the partitioner is Daniel O’ Sullivan, and during the lecture, he pointed out that as a artist and musician, he have to found a way to live. Hence, music library could be one for the income sources where musicians and sound artists can sell recording and tracks, and they usually need a quantity of sounds and music to build up their sound library, which may have lower the requirement for submitting tracks. They may still buy the ownership of that sounds, tracks or music. The downside of this type of music/ sound library is the credit of the works. Once they buy the ownership of the works, usually the creator would anonymous, and the credit and any future profit will go to the owner of the sound library. But at the same time, this anonymous way to produce and compose music can liberate the composer, and try out different approaches, since it won’t leave a ‘bad name’ if it goes wrong. The audience can also more focus on the sound itself, rather perceive music with the presented mind of the exciting artist.
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