For the second and the last rehearsal, we started to finalise what we are going to use, and more importantly, the structure of the performance. It decided to three parts. In the beginning of the first part, we slowly bring in the simple wave drone. Aparna and Miles are mainly high pitch and I bring in the mid-low drone. Then, we gradually shift the pitch. And for me, I slowly fade in different field recording, such as the train and sound of the park to add more texture of the drone. I also start to increase the LFO that mapped to the panning of my drone. With the little twitch of the filter and the resonate, it create a spinning resonate sounds in the head. And it slowly hit to peak when Miles introduce more while noise and Aparna bring in more feedback.
In the second part, after the reaching the peak, we bring down the volume, and I slowly bring in the sparkling sounds of the fire, and bring down volume of the drone. Then, me and Aparna bring in the acoustic instrument and sounds. Aparna is using some rocks to go with the fire sounds, and I used Tibetan Tingsha Bells. After I heard my sounds are being granule as extra layer looping under, I swap to harmonica. The live granule that Miles makes, create a call and respond parts. In the end of this part, the granular becomes very drone, and sounds like an organ.
In the last part, I start to bring in the birdsongs, as to respond to the poem, the thrush. At the same time, I also add the more ambient sounds alone with the organ sounds, and Aparna also create a subtle drone underneath. Then in the end, I create some melodic bass sounds and we all gradually fade out until the birdsongs could be heard.